EOS Alpha is a suite of LUTs that deliver the Essence of Canon’s Colour Science for Sony Cameras.
What you will get
Support for almost all Recording Colour Spaces
- HLG / HLG1 / HLG2 / HLG3
- S-Log / S-Log 2 / S-Log 3
- BT2020 / S-Gamut / S-Gamut3 / S-Gamut3.Cine
Works in Every Workflow
By default, the LUTs transform your footage to Rec.709.
The LOOK and LOOK CLASSIC variant transforms your footage to DaVinci Intermediate/DaVinci Wide Gamut. From there, you can go anywhere whilst keeping the emulation intact.
Three Variants
As shown above, EOS Alpha comes in three variants: DYNAMIC, HARMONIC and CLASSIC.
DYNAMIC is modelled after the colour science in more recent cameras, such as the EOS R or the 700D, to name only two.
HARMONIC keeps the characteristic of Canons colours, however, it does not apply a custom contrast. The resulting image is not as punchy and overall a bit more gentle.
CLASSIC is the newest variant and is modelled after the Canon EOS 5D classic from 2005. It is by far my favourite of the three, delivering deep film-like colours with a healthy dose of contrast — the punch — Canon is known for today.
Production and Post Production
All LUTs come in two variants. One for colour grading and one for your camera.
The version for grading ensures the best quality with a precision of 65x65x65 points.
The version for cameras and monitors ensures highest compatibility with a size of 17x17x17 points. This is a level of precision most cameras and monitors can handle.
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